“Ever wondered what happens when you play a film backwards? You get an entirely new film.” Some examples:
A rather large moon-sized spaceship suddenly appears in the vast depths of space and, to prevent it from disappearing again, a nice young man called Luke extracts a bomb from its central chambers. The space station re-assembles a disintegrated planet, saving its occupants, and slowly begins to dismantle itself as a group of rebels become more and more disorganised. The young man goes home to his farm.
An enormous iron ship surges up from the vast depths of the ocean in order to save a large number of people who are inexplicably, and somewhat foolishly, floundering in the water near an iceburg. It then kindly takes them back to Southampton.
The Lord of the Rings
A mentally challenged Hobbit overcomes his disability by retrieving his finger – and a golden ring – from the depths of a sinister volcano. They then travel through the countryside as we observe the journey of a band of adventurers who go around saving people by pulling swords out of them. The Hobbits spend the rest of their days in the peaceful idylls of the countryside.
After a long day of beating people up in videogames, neo gets a sleeping pill from a black guy in sunglasses so that he can wake up in time for his boring office job in the morning.
Pride & Prejudice
Sparky heroine Elizabeth Bennett becomes increasingly disillusioned with her husband Fitzwilliam Darcy, and the two divorce. The shame of such action in 18th century England motivates her younger sister Lydia to divorce her husband but continue to live in sin with him in a bedsit in Brighton. Darcy encourages their actions but Lydia tires of the arrangement and soon returns home. Elizabeth and Darcy attempt to remain friends, but their relationship is strained when she suffers an unexpected bout of amnesia. The villagers of Meryton begin to weary of the family’s antics and their acquaintanceship dissolves. The film ends as local recently-divorced bachelor Mr Bingley moves away from Netherfield while a moving voiceover proclaims the ineffectiveness of love and the selfless attitudes of women in the game of marriage.