I’ve never had a firm grasp on the emotional differences between major and minor key. Amazingly, I just learned a heck of a lot about it by listening to a version of R.E.M.’s song, “Losing My Religion” changed to a major key.
One of the best features of American culture, I think, is our willingness to adopt anything from other cultures that we like. Apparently, we’re doing that in spades with “Gangnam Style,” a catchy Korean pop song with a crazyawesome video:
My favorite derivative work, however, is this video of the toddler who will only eat when the “Gangnam Style” video is playing:
NPR has a fascinating article on how that happened. It wasn’t dumb luck, but the product of years of careful effort. As the article concludes:
“Gangnam Style” is what happens when a developing country becomes developed. An infrastructure to make and export culture can develop just like an infrastructure to make and export anything else.
Yes, and we’re all better off as a result! Hooray for sillycrazyfun K-Pop videos!
This 2011 Japanese performance of my absolute favorite segment of music — Beethoven’s Ode to Joy — was dedicated to the survivors of the tsunami. I don’t think that the ginormous crowd of singers works well musically — at least not in this recording — yet I still appreciate the power of the performance.
Initially, to see Japanese singers performing in German was a bit strange, but then I realized that such is the fruit of the globalization of culture. Japanese singers and musicians can recognize the beauty and power of a German symphony written in 1824, then perform it spectacularly. Then, I, wholly American, can enjoy it from the comfort of my home in Colorado.
So many people decry the globalization of culture, thinking that it means nothing more than McDonalds and Starbucks on every corner. In fact, that’s good too, for the same reason as this performance. Globalization enables each individual person to pick and choose what he values most from around the world, rather than being limited to the cultural and economic products of his own culture. We might not always agree with other people’s choices, but we’re free to make our own.
The problem with webcams? Mixing them with alcohol tends to allow things like this to take shape.
Here’s what happened when Give Zombies the Vote singer Shaun Callaghan had a few too many, started cuddling his cat—named Bill Murray—and decided to toss together a makeshift music video for their song “Black Hole.”
Naturally, he did this in secret, but as soon as his bandmates found the video they wasted no time posting it on reddit because what are friends for, if not humiliating you in front of thousands of total strangers?
The combination of looks on the singer’s and the cat’s face are just priceless. Plus, I loved that he was bouncing the kitty like a baby toward the end. Clearly, all metal bands should promote their songs with cat videos from now on.
On the 130th anniversary of the founding of Banco Sabadell we wanted to pay homage to our city by means of the campaign “Som Sabadell” (We are Sabadell) . This is the flashmob that we arranged as a final culmination with the participation of 100 people from the Vallès Symphony Orchestra, the Lieder, Amics de l’Òpera and Coral Belles Arts choirs.
Hooray for stuffy corporations doing awesomethings! (That was a typo… but I like it!)
Mika — the singer I’ve blogged about before — has a new album coming out soon: The Origin of Love. Here’s the video for one of the songs, Elle Me Dit, which I already love. (Yes, the song is in French.)
Elle me dit “écris une chanson contente,
pas une chanson déprimante,
une chanson que tout le monde aime”.
Elle me dit “tu deviendras milliardaire.
T’auras de quoi être fier.
Ne finis pas comme ton père”.
Elle me dit “ne t’enferme pas dans ta chambre,
vas-y, secoue-toi et danse
dis moi c’est quoi ton problème?”
Elle me dit “qu’est ce que t’as t’as l’air coincé,
t’es défoncé au peket
Tu finiras comme ton frère”
CHORUS:
Elle me dit,
Elle me dit “c’est ta vie
fais ce que tu veux tant pis
un jour tu comprendras
un jour tu t’en voudras”
Elle me dit “t’es trop nul,
sors un peu de ta bulle.
Tu fais n’importe quoi
on dirait que t’aimes ca.”
Pourquoi tu gâches ta vie?
Pourquoi tu gâches ta vie?
Pourquoi tu gâches ta vie?
Danse danse danse danse elle me dit danse”. x2
Elle me dit “fais comme les autres garcons,
va taper dans un ballon,
tu deviendras populaire”.
Elle me dit, “qu’est-ce que tu fous sur internet,
ca va pas bien dans ta tête.
Regarde le temps que tu perds.”
Elle me dit “pourquoi tu te plains tout le temps?
On dirait que t’as huit ans.
C’est pas comme ca que tu vas plaire”
Elle me dit “un jour je ne serai plus là
et c’est quand elle me dit ça
qu’elle me dit un truc que j’aime.
(CHORUS)
Elle me dit, “t’as pas encore des cheveux blancs,
mais t’auras bientôt 30 ans,
faudrait que tu te réveilles.
Elle me dit “tu es toujours un enfant,
tu ne seras jamais grand.
Et moi je suis déjà vieille
Elle me dit “regarde un peu tes amis,
qu’est-ce qu’ils vont faire de leur vie,
y’ a de quoi se foutre en l’air.
Elle me dit, “oui un jour tu me tueras”
et c’est quand elle me dit ca
qu’elle me dit un truc que j’aime.
Pourquoi tu gâches ta vie?
Pourquoi tu gâches ta vie?
Pourquoi tu gâches ta vie?
Danse danse danse danse elle me dit danse”. x2
My friend Pablo the Tenor translated the song thusly in my Facebook comments:
She says to me “Write a happy song,
not a depressing one
a song that everybody’s going to love!”
She says to me “you’ll be a millionnaire
You’ll have something to be proud of,
Don’t end up like your father!”
She says to me “Don’t lock yourself up in your room
Go out, snap out of it and dance!
Tell me, what’s the matter with you?
She says to me “You’ve got a sullen air,
You’re wasted on Peket!*
You’ll end up like your brother!”
CHORUS:
She says to me,
“It’s your life
Do as you please, alas,
One day you’ll understand,
One day you won’t be mad”
She says to me “You’re too bland,**
Come out of your bubble a little
You don’t do anything,
It’s as if you love it!
Why are you wasting your life?
Why are you wasting your life?
Why are you wasting your life?”
“Dance! Dance!” She says to me, “Dance!” x2
She says to me “Do like other boys,
Go kick a ball around,
You’ll become popular!”
She says to me “What are you doing on the internet?
That’s not good for your brain!
Look at the time you’re wasting!”
She says to me “Why do you whine all the time?
One would say you’re eight years old!
You’re not going to please anyone like that!”
She says to me “One day I won’t be here anymore.”
And when she says that to me
It’s the same old song:
(Chorus)
She says to me, “You’re not grey yet,
But you’re going to be thirty!
You need to wake up!”
She says to me, “You’re no longer a child,
You’ll never grow up,
And I’m already old!”
She says to me, “Look at your friends,
What are they going to do with their lives?
They’re wasting their lives!”
She says to me “One day you’re going to kill me!”
And when she says that to me
It’s the same old song:
(Chorus)
* Specialty alcoholic drink from Belgium.
** Normally “T’es nul” would be translated as ‘You suck’, I think this fits the phrase more.
The Seikilos epitaph is the oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone, near Aidin, Turkey (not far from Ephesus). The find has been dated variously from around 200 BC to around AD 100.
That’s pretty darn awesome. You can read more about it here.
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